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thedailybeard: heat long last it’s here! it took some work to get it here, but its here and I couldn’t be happier with it. wonderfully illustrated by Juan Nieto (thedeargrandson) Order will ship Feb 5th. this is a small first run so if you don’t wanna miss out place your order.  TheDailyBeard store is open now!  Updated: shirt is now $19.99  cachen la suya! :D yay! mas finu!! 
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thedailybeard: heat long last it’s here! it took some work to get it here, but its here and I couldn’t be happier with it. wonderfully illustrated by Juan Nieto (thedeargrandson) Order will ship Feb 5th. this is a small first run so if you don’t wanna miss out place your order.  TheDailyBeard store is open now!  Updated: shirt is now $19.99  cachen la suya! :D yay! mas finu!! 
Zoom

thedailybeard:

heat long last it’s here! it took some work to get it here, but its here and I couldn’t be happier with it. wonderfully illustrated by Juan Nieto (thedeargrandson)

Order will ship Feb 5th. 
this is a small first run so if you don’t wanna miss out place your order. 

TheDailyBeard store is open now!

 Updated: shirt is now $19.99 

cachen la suya! :D yay! mas finu!! 

likeafieldmouse: Sue Austin - Creating the Spectacle (2012) As part of the 2012 Cultural Olympiad, performance and installation artist Sue Austin created this series in which she—in her self-propelled underwater wheelchair—explored the magnificence of the underwater world, aiming to generate a widespread public debate about the nature and value of contemporary arts practice shaped by the experience of disability. Artist’s statement:  “My studio practice has, for sometime, centred around finding ways to understand and represent my embodied experience as a wheelchair user, opening up profound issues about methods of self-representation and the power of self-narration in challenging the nexus of power and control that created the ‘disabled’ as other.”
Zoom
likeafieldmouse: Sue Austin - Creating the Spectacle (2012) As part of the 2012 Cultural Olympiad, performance and installation artist Sue Austin created this series in which she—in her self-propelled underwater wheelchair—explored the magnificence of the underwater world, aiming to generate a widespread public debate about the nature and value of contemporary arts practice shaped by the experience of disability. Artist’s statement:  “My studio practice has, for sometime, centred around finding ways to understand and represent my embodied experience as a wheelchair user, opening up profound issues about methods of self-representation and the power of self-narration in challenging the nexus of power and control that created the ‘disabled’ as other.”
Zoom
likeafieldmouse: Sue Austin - Creating the Spectacle (2012) As part of the 2012 Cultural Olympiad, performance and installation artist Sue Austin created this series in which she—in her self-propelled underwater wheelchair—explored the magnificence of the underwater world, aiming to generate a widespread public debate about the nature and value of contemporary arts practice shaped by the experience of disability. Artist’s statement:  “My studio practice has, for sometime, centred around finding ways to understand and represent my embodied experience as a wheelchair user, opening up profound issues about methods of self-representation and the power of self-narration in challenging the nexus of power and control that created the ‘disabled’ as other.”
Zoom
likeafieldmouse: Sue Austin - Creating the Spectacle (2012) As part of the 2012 Cultural Olympiad, performance and installation artist Sue Austin created this series in which she—in her self-propelled underwater wheelchair—explored the magnificence of the underwater world, aiming to generate a widespread public debate about the nature and value of contemporary arts practice shaped by the experience of disability. Artist’s statement:  “My studio practice has, for sometime, centred around finding ways to understand and represent my embodied experience as a wheelchair user, opening up profound issues about methods of self-representation and the power of self-narration in challenging the nexus of power and control that created the ‘disabled’ as other.”
Zoom

likeafieldmouse:

Sue Austin - Creating the Spectacle (2012)

As part of the 2012 Cultural Olympiad, performance and installation artist Sue Austin created this series in which she—in her self-propelled underwater wheelchair—explored the magnificence of the underwater world, aiming to generate a widespread public debate about the nature and value of contemporary arts practice shaped by the experience of disability.

Artist’s statement: 

“My studio practice has, for sometime, centred around finding ways to understand and represent my embodied experience as a wheelchair user, opening up profound issues about methods of self-representation and the power of self-narration in challenging the nexus of power and control that created the ‘disabled’ as other.”

(Source: likeafieldmouse)

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